On planning a short story.

Now that I’ve finished a 21-day creativity challenge (courtesy of Grammarly), it’s time to keep the confidence and creativity going! I thought it’d be a good idea to walk you through how I write a short story step-by-step.

Step 1: Get inspired

For me, inspiration comes from my surroundings. I feel lucky that I’m able to pull from my daily environment and my day-to-day doings. For the past three weeks, I’ve been quarantining in Cape Coral, Florida with my sister, her husband, and FOUR kids (all under the age of 12). It’s been entertaining as hell and while I may be short on sleep, I am definitely not short on inspiration or love or laughter. Surrounded by palm trees, heat and humidity, and unpredictable and fast-moving storms, I had an idea to set a story in the Sunshine State. There’s been an idea I’ve been kicking around for a long time about a guy murdering his wife and getting rid of the body at an alligator farm, the kind where they give tourists airboat rides, and the local sheriff works with a beautiful but broken bartender from a honky tonk bar to solve the case. That feels like more of a novel, because it would absolutely take time and space unavailable in the short story format to explain everything concerning the plot, so I hunted for another idea.

My nephew Jonathan LOVES scary movies. It’s all he ever wants to watch and I know I’m mostly responsible. I’ve been forcing them on him since he was about four years old. The other night, he joined me in watching old episodes of “Ghost Adventures.” The episodes in question featured Mark and Debby Constantino, paranormal investigators and EVP experts who died tragically. After several incidents of domestic violence, Mark killed Debby and himself after a standoff with police. You can read more about the tragedy here.

Paranormal investigating, coupled with personal tragedy, makes for engrossing material. It’s been storming a lot here too, so an atmosphere formed in my mind before an actual story did, but everything I needed was there.

Step 2: Create a bare bones outline

Scenes don’t formulate for me until there’s a tangible kind of plan. I love making lists and outlines for this very purpose.

  • Two paranormal investigators meet online during a televised, live investigation
  • They bond over corny, melodramatic personality and technology used (looking at you, Zak Bagans … sorry)
  • They plan to meet in real life for a real ghost hunt
    • Stanley Hotel (and use my real life experience)?
    • Research abandoned lunatic asylums?
  • During the investigation: he kills her? she kills him? they find real ghosts? SO MANY POSSIBILITIES!

Step 3: Character sketches

I honestly believe the best stories are character-driven rather than plot-driven. It could be the most exciting series of events in the history of literature, but if the characters are flat and do not elicit some kind of visceral response, none of it matters.

My character sketches aren’t too detailed, which is frowned upon, but it works for me. My main character is named Madeleine. Madeleine chewed on the end of her lip ring on the inside of her bottom lip, an anxious habit —> heavily painted lips, a dark crimson; thick, black eyeliner; pitch black hair (dye from the box, drugstore); listening to Screamo(?), heavy metal(?); studio apartment, light beet can beside her at desktop computer?

The above sketch is very visual; I believe imagery is ESSENTIAL to storytelling. The reader NEEDS to have a picture painted in their minds in order to connect to the characters and the story. So as a picture forms, there are more questions to answer: should I set the story ten years earlier? twenty years? And as the picture becomes clearer, it brings me to step 4.

Step 4: Specific scenes

Again with my list-making: I make lists of specific scenes I want to include. So far, I have a scene with walkie talkies and EVPs (a demonic voice coming through, something neither investigator is prepared for), a scene referencing ITC and “white noise” (to build mood and atmosphere), and a Van der Graaff generator (featured on an episode of “Ghost Hunters,” but to be believable and specific, I need to do more research).

Step 5: Research

I’m going to be looking up any technical details I’m not familiar with to give my voice authenticity (an element emphasized in Chuck Palahniuk’s latest book, a brilliant memoir on writing). After that, I’ll write a rough draft and post it here.

On an unrelated note… in the past six or seventh months, I’ve become a better woman. I’ve been moving ever closer to the woman I always dreamed I’d be, and that is thanks in part to two very special women. I promised I’d write an entire blog post about them, but they’d be embarrassed and truth be told, I don’t think I’d ever be able to put into words how amazing these women are, at least not to my own satisfaction. So the short story will be dedicated to Casey and Kathleen.

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I'm a published author - my novel HER BEAUTIFUL MONSTER was published in October of 2012 by Martin Sisters Publishing. I'm working on revising my second manuscript so it can also be published.

2 thoughts on “On planning a short story.”

  1. I agree with you on character driven vs. plot driven. The story I am pushing through on my blog (finally on chapter 10 – man… time flies) I have been wrapped up in the characters. They have come to life. I heard stories of people that grieve the loss of a char. after completing a book or whatever, but didn’t understand it until this story. Being inside of his/her/their head, makes it more real. And oh by the way I have this plot. It is sort of like the plot is the road or highway. The characters are the car and things in the car. When we talk about the road trip – we focus on the ride not the pavement. Anyway – thanks for sharing.


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