On planning a short story.

Now that I’ve finished a 21-day creativity challenge (courtesy of Grammarly), it’s time to keep the confidence and creativity going! I thought it’d be a good idea to walk you through how I write a short story step-by-step.

Step 1: Get inspired

For me, inspiration comes from my surroundings. I feel lucky that I’m able to pull from my daily environment and my day-to-day doings. For the past three weeks, I’ve been quarantining in Cape Coral, Florida with my sister, her husband, and FOUR kids (all under the age of 12). It’s been entertaining as hell and while I may be short on sleep, I am definitely not short on inspiration or love or laughter. Surrounded by palm trees, heat and humidity, and unpredictable and fast-moving storms, I had an idea to set a story in the Sunshine State. There’s been an idea I’ve been kicking around for a long time about a guy murdering his wife and getting rid of the body at an alligator farm, the kind where they give tourists airboat rides, and the local sheriff works with a beautiful but broken bartender from a honky tonk bar to solve the case. That feels like more of a novel, because it would absolutely take time and space unavailable in the short story format to explain everything concerning the plot, so I hunted for another idea.

My nephew Jonathan LOVES scary movies. It’s all he ever wants to watch and I know I’m mostly responsible. I’ve been forcing them on him since he was about four years old. The other night, he joined me in watching old episodes of “Ghost Adventures.” The episodes in question featured Mark and Debby Constantino, paranormal investigators and EVP experts who died tragically. After several incidents of domestic violence, Mark killed Debby and himself after a standoff with police. You can read more about the tragedy here.

Paranormal investigating, coupled with personal tragedy, makes for engrossing material. It’s been storming a lot here too, so an atmosphere formed in my mind before an actual story did, but everything I needed was there.

Step 2: Create a bare bones outline

Scenes don’t formulate for me until there’s a tangible kind of plan. I love making lists and outlines for this very purpose.

  • Two paranormal investigators meet online during a televised, live investigation
  • They bond over corny, melodramatic personality and technology used (looking at you, Zak Bagans … sorry)
  • They plan to meet in real life for a real ghost hunt
    • Stanley Hotel (and use my real life experience)?
    • Research abandoned lunatic asylums?
  • During the investigation: he kills her? she kills him? they find real ghosts? SO MANY POSSIBILITIES!

Step 3: Character sketches

I honestly believe the best stories are character-driven rather than plot-driven. It could be the most exciting series of events in the history of literature, but if the characters are flat and do not elicit some kind of visceral response, none of it matters.

My character sketches aren’t too detailed, which is frowned upon, but it works for me. My main character is named Madeleine. Madeleine chewed on the end of her lip ring on the inside of her bottom lip, an anxious habit —> heavily painted lips, a dark crimson; thick, black eyeliner; pitch black hair (dye from the box, drugstore); listening to Screamo(?), heavy metal(?); studio apartment, light beet can beside her at desktop computer?

The above sketch is very visual; I believe imagery is ESSENTIAL to storytelling. The reader NEEDS to have a picture painted in their minds in order to connect to the characters and the story. So as a picture forms, there are more questions to answer: should I set the story ten years earlier? twenty years? And as the picture becomes clearer, it brings me to step 4.

Step 4: Specific scenes

Again with my list-making: I make lists of specific scenes I want to include. So far, I have a scene with walkie talkies and EVPs (a demonic voice coming through, something neither investigator is prepared for), a scene referencing ITC and “white noise” (to build mood and atmosphere), and a Van der Graaff generator (featured on an episode of “Ghost Hunters,” but to be believable and specific, I need to do more research).

Step 5: Research

I’m going to be looking up any technical details I’m not familiar with to give my voice authenticity (an element emphasized in Chuck Palahniuk’s latest book, a brilliant memoir on writing). After that, I’ll write a rough draft and post it here.

On an unrelated note… in the past six or seventh months, I’ve become a better woman. I’ve been moving ever closer to the woman I always dreamed I’d be, and that is thanks in part to two very special women. I promised I’d write an entire blog post about them, but they’d be embarrassed and truth be told, I don’t think I’d ever be able to put into words how amazing these women are, at least not to my own satisfaction. So the short story will be dedicated to Casey and Kathleen.

On ending a 21-day challenge and maybe calling it a 21-day fix

I’m really glad I stumbled on this 21-day creativity challenge when I did, because life has been very weird for longer than anticipated. For me, it’s not so much a lack of inspiration as there is P L E N T Y to pull from if one only observes the world for a moment. For me, the trouble is sticking to a writing schedule, to get those plentiful ideas down on paper. The awesome thing about attempting this 21-day creativity challenge is that it has forced me to carve out time each and every day to be creative. It has forced me to create and stick to a schedule where I am writing (or developing inspiration for writing) everyday, and that in and of itself, has been i n v a l u a b l e.

So let’s review my third – and final 😦 – week of my 21-day creativity challenge.

Day 15: Perform a mundane task.

The idea behind this “challenge” reminds me of the “Eureka theory.” The “Eureka theory” proposes that formerly impossible becomes solvable when one “thinks outside the box,” which happens when the mind is allowed to wander from the problem and, in some instances, think about something else entirely. This (apparently) comes from ancient Greece when Archimedes was asked by a local king to prove the king’s crown was pure gold. Archimedes had no idea how to do that, and puzzled over the problem. The solution suddenly came to him when he was doing something entirely different and unrelated; taking a bath. When at the public bath, Archimedes “noted that water was displaced when his body sank into the bath, and particularly that the volume of water displaced equaled the volume of his body immersed in the water” (Wikipedia). Thus, Archimedes discovered how to find the volume of an irregular object, which solved his problem concerning the king’s crown, and legend has it that Archimedes was so excited that he jumped from the bath, yelled “Eureka (meaning “I have found it!”)!” and ran naked all the way home.

This method has definitely worked for me many, many times. When I let my mind wander and do its own thing, nine times out of ten it brings me to where I need to be. I even recommend this to my students; if they’re stuck, leave whatever it is behind and go do something they love for half-an-hour. The mind is more relaxed, more open to possibility, and the solution often appears.

I tell the students to do something they love instead of a mundane task because it offers more of a buy-in, or an incentive. For the older (and sometimes wiser), mundane works because there’s always something that needs to be done but can simultaneously prove fruitful for the creative life. Just the other day, I was folding what appeared to be a never ending pile of laundry and BAM! The plot hole I’d been puzzling over resolved itself! If only dealing with fitted sheets were so easy.

Day 16: Knit or crochet.

When I saw this challenge, every muscle in my body tensed. For years – literally years – I’ve been teasing a colleague who knits and crochets. It’s gentle teasing and truly comes from a place of love, but really? Seriously?

I had to stop judging and climb down off my high horse and give it a whirl. After all, I realized this “challenge” wasn’t so far off from doing something mundane. Knitting or crocheting could be like painting or coloring; the repetitive muscle movements and hyperfocus on the tactile challenge could indeed open up a world of possibilities. BUT – I also knew I couldn’t do this without my poor colleague I’d teased mercilessly. So I’m going to set up a time with her where she can show me the ropes (of yarn! … get it?) and I’ll post the finished product here.

Day 17: Make a list.

OMG, ALL I DO IS MAKE LISTS! In my daily planner, in my journal, on Post-it notes stuck all over my desk and monitor, there are lists and lists and lists! Again, the idea here is that considering a wealth of possibilities to whatever creative endeavor is challenging you, you open up your mind and find the right one.

Day 18: Have a conversation.

OMG, ALL I DO IS CONVERSATE! But really, direct quotes from conversations I have had with friends in real life end up in my writing A L L T H E T I M E. According to the late, great Professor Dumbledore, “Words are, in my not so humble opinion, our most inexhaustible source of magic, capable of both inflicting injury and remedying it.” For example, I can remember all the details of when my second grade teacher told me years and years later that she remembered my handwriting and what a wonderful writer I was. And with equal clarity, I can remember when someone pointed out all the flawed editing in my first novel. I recorded the exchanges and have filed them away because 1) writing through real-life situations is an effective coping mechanism for me and 2) inspiration could be hiding within.

My hero Stephen King wrote:

Writers remember everything… especially the hurts. … A little talent is a nice thing to have if you want to be a writer, but the only real requirement is the ability to remember the story of every scar. Art consists of the persistence of memory.”

So having conversations, good and bad, and remembering them is important to helping stimulate creativity.

Day 19: Keep an idea file.

Done and done; been doing this for years. In my Google Drive, there are two folders: Novels and Short Stories. Inside each of those folders is another folder, simply labeled “Ideas.” And the best thing about those folders is that I’m constantly adding to them.

Day 20: Try a topic generator.

Topics/ideas aren’t really my issue, but these are fun to play with anyway. And the point of this 21-day “challenge” is to try new things and think outside the box.

Having trouble starting a deep, interesting conversation sure to be filled with nuggets of creative gold? Try this random conversation starter generator.

Having trouble thinking of something to write about? Try this topic generator specifically for blogs.

Or try this fun one!

Day 21: Light a vanilla cinnamon candle.

In life, it really is the little things. Sitting at my desk in my front room with the window open on a nice day, watching the sheer curtains ripple from the gentle breeze blowing through with a vanilla cinnamon candle flickering is a perfect way to start my writing day. Specifically, the vanilla cinnamon candle is good because in the aromatherapy realm, those two scents really seem to boost creativity.

So how did your 21 days go? Comment and let me know!

On week #2 of my 21-day creativity challenge.

I won’t repeat myself unnecessarily, so all I’ll do to open up this post is reiterate how difficult it can be to be creative during a pandemic. Life is not as it was, and information about returning to the way things were changes every day, and the amount of information is overwhelming and varied. The only real consensus is that there is no real consensus, and all of those circumstances can make it quite difficult to keep to a writing schedule and all of those circumstances can make it near impossible to start and stick to a *new* creative schedule. But at times like these, the best we can do is try. So please, join me on my second week of Grammarly’s 21-Day Creativity Challenge (featured here).

Day 8: Carry an idea notebook.

One of my favorite aspects of this challenge is that most of the tips are tips I already implement daily, let alone weekly. One of those tips is to carry an idea notebook. I’ve actually been teased for always having a journal and a pen in my purse or bag. Here’s photographic evidence of my idea journal:

Mostly, I write down things my friends say and dreams I remember. Occasionally, I’ll be especially inspired and able to write a scene, or a couple of scenes, or even a whole chapter! I write down the homily during mass too, and daily schedules, and let it all flow together. My writing life should and will forever be entwined with my general life.

Day 9: Freewrite.

A former co-worker RAVED about freewriting. We would have our students participate in that activity to help deepen their understanding of a concept, or help them begin to develop analysis. There’s excellent and extensive information about freewriting at this link. And other teachers, writing for Psychology Today, agree with our premise as its benefits go beyond the realm of creativity, as explained here.

So how does one freewrite? Luckily, The Book Designer walks you through it:

Here are some freewriting guidelines, although in the spirit of freewriting freedom, feel free to not follow any that don’t feel right.

1. Use a prompt.
2. Set a timer.
3. Keep your pen moving.
4. Write quickly.
5. Use the first word.
6. Write crap.
7. Go for it.

Find more information here.

Day 10: Join a social writing site.

I began to explore this last week when the tip was to join a group of creatives. Physically doing this is not a current option, but joining an online group through a social writing site is entirely plausible. According to Grammarly, the goal is to do more than just connect, however. Grammarly says, “If your muse gets lonely, online social sites for writers, such as Wattpad or Amazon Kindle’s Write On, may help. (Just be aware that getting noticed and earning feedback on these sites can require a significant time commitment.)” The goal should always be inspiration first, but there is the opportunity for developing a readership. I haven’t truly tackled this step yet, but I will and I will report back.

Day 11: Go somewhere busy.

This particular tip was difficult to try during this pandemic, so to talk about this tip, I have to rely on past experience. The benefits are almost endless. You can overhear real dialogue to make your own more authentic.I remember sitting at a crowded bar and watching two guys across the way rehash the fight one of them had with his girlfriend. I made note not only of the dialogue, but of the way they moved. Going to crowded places can also inspire settings which can develop plot.

Day 12: Go someplace quiet.

This tip, conversely, was extremely easy to accomplish. It seems like everywhere is someplace quiet. I’ve done my best writing alone in my room. What works best for me is gathering and generating ideas in busy places and then developing them into prose in quiet places. Quiet places help with concentration and can be relaxing and soothing. Also, the perfect blend of someplace busy and someplace quiet is one of my favorite places to write: a bookstore or coffee shop.

Day 13: Do something brave.

This one confused me when I first read it. Grammarly explains, “Shy? Join an improv group. Clumsy? Take a beginner’s dance class. Do something that pushes your limits and then use your experiences for inspiration.” Again, this becomes an issue when most places are closed and new experiences are severely limited. However, I did something brave as best as I could; I traveled to Florida during this quarantine to see my sister and her beautiful, precious family. I was worried about checkpoints at state lines, about rest areas and service stations being closed, and taking the trip in these scary times.

Day 14: Attend a creative event.

This is not possible currently, but I cannot stress enough how much attending writing conferences has helped me. I know I talked about this in last week’s post, but I’ll happily repeat myself if it convinces even just one person to put him or herself out there and attend a conference. The benefits vary depending on the conference, but no matter the conference, there are always undeniable benefits. I got into more details in the following posts:

Tune in next week for my third and final week of the 21-Day Creativity Challenge!

On how it’s gonna be.

The Final Episode: “How’s it gonna be//when you don’t know me//anymore.”

So, where did he and I go from there? For starters, he lied to me about dating her in spite of the face that I had also attended one of their first dates. He insisted over and over that he wasn’t dating anyone, and the flirtatious texts and behavior continued. I remember being in a poorly lit bar with him and other colleagues. I was sitting on a stool, sipping on a sweating bottle of lite beer, and he was standing before me in light colors, in shades of blue. He was emphatically insisting he was not dating anyone, stomping his foot against the dark carpet and smiling at me, almost like he knew that I knew I should know better. There was another time we were drinking together at a different bar (better lighting and better crowd). He said he had to get going and I asked him to stay. I asked him for just fifteen more minutes. He thought about it, but he ended up leaving, no matter how reluctantly. The next morning, he sent me a message that simply said, “Good morning! You suck.” He never explained what that meant exactly, but I knew. That went on for nearly a year.

I was traveling to Indiana to attend the wedding of one of my oldest friends. I was traveling with other friends, and it was a completely wonderful trip. The whole way there, I was texting with him as I usually did. It was the night of the rehearsal dinner, and I was waiting to meet friends. He had been unusually uncommunicative and I wondered why. Then I received a message from a mutual friend, telling me he was engaged and with his fiancee. She could see the ring. If we were really such great friends, why didn’t he tell me? I walked from the hotel to a liquor store. I bought a handle of vodka and a pack of Marlboro Reds. I sat and smoked and drank from the bottle until it was time for dinner. But at least I didn’t cry until I was alone in bed that night. When I confronted him, when I asked him why he didn’t tell me, he told me he was “a private guy.” But he was comfortable enough to tell me all about his past and his feelings? I bought it, though. I bought it hook, line, and sinker. And we stayed “friends.”

Then his fiancee told me she was pregnant. I smiled and congratulated them. I waited until they left, and then I drank until I threw up in the parking lot and my friend had to drive me home. I promised myself that was the end of it. But his hooks were so far in me that I lied to myself. I convinced myself we could really be friends.

But then I found out he was married. He had lied to me on multiple occasions, swearing that he wasn’t. He shoved his hand in my face to show there was no ring. But once I confronted him and he knew that I knew, he told me he only got married for a reason I won’t share here because it’d just be embarrassing and hurtful. He told me that to keep me stuck, to keep me right where I was, to keep me hanging on. Friends don’t do that; real friends wouldn’t need to do that.

So I finally told him we couldn’t be friends. I told him everything; how I felt and what I was thinking. I didn’t throw a drink in his face. I didn’t turn on my heel and storm off. I was trying to be honest and kind, but he told me I was being “dramatic” and “gay.”

We didn’t talk for three months. He didn’t even reach out on my birthday.

But he sent me a message exactly a week later. I answered because I’m an idiot. I answered because I still have intense feelings for him, though they range the gamut, to be sure. If I’m being honest, and if I’m serious about moving on, then I have to admit we were never friends. We cared about each other, definitely, but we were never friends. And we can never be friends because I can’t get over what was, or what almost was. I think he likes the attention and won’t let me leave, but that’s mostly bullshit because I didn’t really want to leave.

But I think I’m ready now. Thanks for reading. ❤

On “A moment was the most you could ever expect from perfection.”

From Chuck Palahniuk’s novel Fight Club.

So it’s like the fifth week of being quarantined and it’s only getting more difficult. I’m blessed to have a home and steady income, and I’m not sick and my family is happy and healthy, so it’s a shitty thing to complain about being bored and lonely; aren’t we all? To pass the time, I’ve been reading a lot and I’ve also started re-watching CBS’s 1994 miniseries “Stephen King’s The Stand.” I watched the second episode yesterday morning and had the sudden urge to tell everyone I know to watch it because it totally explains what we’re going through right now (not totally…that’s me being dramatic). This is NOT a new idea; King has apologized for us all feeling like we’re living in one of his novels. Still, I feel like Randy in the movie “Scream,” when he’s freaking out in the middle of Blockbuster and imploring everyone to watch horror movies so they could be better able to survive the slasher attacking Woodsboro. Only I’m alone, in my living room, urging everyone to read The Stand.

Another way to pass the time is writing and thinking. The latter, unfortunately leads to overthinking, which then leads to crying and mourning the past. But I think it’s mostly good. One day, I’ll be numb.

Episode Two: “A moment was the most you could ever expect from perfection.”

One of the best books I’ve ever read is Fight Club by Chuck Palahniuk. And one of the best scenes from the novel is when the narrator comes upon Tyler Durden on the beach. Tyler has built a statue from driftwood. The narrator can’t tell what it is at first. He explains, “I asked if Tyler was an artist. Tyler shrugged…What Tyler had created was the shadow of a giant hand. . . he said how at exactly four-thirty the hand was perfect. The giant shadow hand was perfect for one minute, and for one perfect minute Tyler sat in the palm of a perfection he’d created himself. One minute was enough, Tyler said, a person had to work hard for it, but a minute of perfection was worth the effort. A moment was the most you could ever expect from perfection.”

The beauty and tragedy of my moment of perfection is that it’s come and gone.

To be fair, we had two perfect moments. One was during an all-day drinking event on a sunny day in March. That day was the most attracted to him I’ve ever been. The place was crowded and being that we had been drinking for hours, I was mostly stumbling and having trouble keeping up. He told me he didn’t want to lose me. He was leading me through the crowd at the one bar, holding hands as he stretched out his arms behind him. Then he brought them around so that I hugged him from behind and it took all the self-control my drunk ass could muster not to bury my face in his hoodie and breathe deep.

We kept drinking. Day turned to night. We ended up at another bar. The thumping bass boomed incessantly, sounding more like war drums than anything else. Everything was vibrating, everything was shaking almost imperceptibly, and I used that as an excuse to hang onto his muscular forearm and steady myself. I put my ear close to his beautiful, smooth mouth to try and decipher the slurred nonsense that tumbled out. He sloppily smashed his lips against my cheek. It was over before I was even sure it had happened and both of us stood there looking at one another stupidly. Everything was bumping and booming and loud and hot and close and he drunkenly smiled at me. At that moment, I knew that if I were to push close against him and grab him and hold him and decimate his mouth with mine, he would yield and he would succumb. That is an unfamiliar and dangerous amount of power and I resisted. It would mean something cheap and tawdry. I wasn’t as drunk as he was, and I was worried that if it went as far as it possibly could, we’d have different feelings in the cold light of the next morning. It would have meant so much more to me than it would have to him. It wouldn’t be what I really wanted.

Instead, I touched his face and escaped to the ladies’ room. Later, when it was time to go pass out, I walked him home.

I’m an idiot, though. That wasn’t enough of a green light for me to tell him how wonderful I thought he was, how all I wanted was to be with him. Naturally, our next moment of perfection also passed me by. It was a few weeks later, and I was out with colleagues, staying overnight at a beautiful hotel for some weekend-long conference. The first night was pretty laid back, so we all went to bar just cross the street. I texted him, practically begging him to come down.

And he did.

The bar was closing and we needed to go somewhere else, and I invited him to my shared hotel room on the condition that he bring playing cards. He smiled but rolled his eyes, saying there was no way he’d find playing cards and that he was tired. Again, I begged him. He shook his head and said goodnight.

Back at the hotel room, I was commiserating with my roommates about the missed opportunity when there were three, loud knocks on the door. They were serious sounding knocks, reminiscent of the way a cop bangs against door. One roommate hurried to the bathroom. The other tried to hide in the mess of pillows and coverings on the bed. That left me to open the door. I tried to calm myself, rehearsing what to say to the authority figure who’d probably been summoned because we were being too loud. I took a deep breath, squared my shoulders, and opened the door.

No one was there.

I stepped out and looked to the right. There was still no one there.

When I looked to the right, he was leaning against the wall, twirling a deck of playing cards in his hand, smiling slightly. All the blood rushed to my face and I laughed out loud; there was nowhere else for my joy to escape to. It was like something out of a movie. It was the personification of every romantic fantasy I’d ever had. He came in and we played Kings for a couple of hours until he had to go, quiet suddenly.

And then it was all over.

On “poetry”-perfect beginnings.

“The moment I fell in love with you was a moment I’d been waiting my whole life for.”

Episode One: Poetry-Perfect Beginning

I know I’ve used this line before (and probably for a very similar reason; I really am a one-trick pony), but T.S. Eliot famously wrote that April is the cruelest month. I can’t be sure because I haven’t read his poem in forever, but I’m fairly certain that Eliot is referring to the false promise of Spring because not everything comes back from the dead the way nature does.

So what better time to pick at fresh scabs of lost love?

To be fair, I really should have known better. The first time I ever mentioned him in my journal was significant for three reasons:

  1. Only people I really and truly care about get mentioned in my journal. And if a name appears more than once? Consider me obsessed.
  2. It was right after a personal tragedy that fell just short of cataclysmic … for him (and it could be a novel in its own right). So he was all wounded and vulnerable and brooding and NEEDED to be saved … NOT. Personally, I think that’s the worst rationalization women use for engaging in and/or tolerating selfish, manipulative behavior. And I am SO fucking guilty of it, I’ll never get these hands clean.
  3. I fucking told myself it was a bad idea. I KNEW I’d get hurt. On January 12, 2014, I wrote:
I know I’m a stupid fool. I know I’m building him up in my mind into something impossible to make him unattainable so I stay safe. He’s completely out of my league on SO many levels. I’m an idiot [...] I don’t know what I’m doing. It’s fun to have a crush, but this is going to hurt. I have a bad feeling ….

I vividly remember that moment I knew I was a goner. It was one of those nights that come out of nowhere, where pure, unadulterated happiness blindsides you so that by the time you realize you’ve been hit, it’s passed you by and all you are is bruised and sore.

Given the nature of my career, most of my colleagues are older women. And given the time in my life, all my colleagues were my friends. I’d gone to college away from home and all my childhood friends had gotten the hell out of dodge, so my social circle was a product of circumstance and I was only partially looking forward to spending a Friday night in the basement of an older, female coworker’s house. Lots of coworkers were going though, and what the hell else was I going to do? Armed with low expectations and a six-pack of some lite beer, I walked down the basement stairs, already planning my exit in my head.

The basement was fully finished. It was bright and cozy, everything seemingly washed in a warm, welcoming shade of yellow. It was carpeted. There was a bar, some exercise equipment, and a pool table. There were some couches, arranged around a low coffee table. And familiar, friendly faces of coworkers were scattered about the basement – sitting youthfully on the carpet and lounging on the couches, playing pool, perched on the exercise equipment, and leaning against the bar.

I decided to make my way to the bar, the most logical place to properly unload my six-pack.

And there he was behind the bar, wearing blue.

I had to do a double-take. I thought it was a girls only type of thing but there he was and he was so handsome. Granted I could have thought that because gentlemen were in short supply, but I still find him incredibly handsome, even after all he did to me (which is definitely a problem). I’d only hung out with him once or twice before this, and we hadn’t spent much time talking with each other or anything.

But that night, with him in blue behind the bar, was different. We were witty, we were flirty, and we were the warm center of the universe that everyone gathered around. Well, at least that’s what it felt like.

On the bar was a bowl of those awful, chalky hearts with corny messages that become popular around Valentine’s Day. Given that it was early January, either the candy hearts were nearly a year old and brought out as a last-minute snack, or the hostess had purchased them early. But that seemed unlikely. So as they were inedible, I spent the night filling the hood of his blue jacket with them whenever he was talking to someone else. He would sigh in frustration and tell me to stop, but he loved it.

Later, someone spilled something on the carpet behind the bar. I was on my hands and knees, trying to clean it up to be remembered as a good guest who would keep getting invited places. To someone in front of the bar, they saw him standing and smiling, and then they saw my legs poking out the side. I reveled in the innuendo.

He had somewhat of a reputation which coworkers with good intentions kept reminding me of. I didn’t care; he was attractive and he was fun to hang out with and it was all so harmless. He got my number from someone and the texting started. We were almost in constant contact with each other. It was addictive and wonderful. We’d stay at bars until the lights came on, still smiling though we were blinking and nearly blinded by the sudden brightness. He’d blow my hair to get my attention. He’d encourage me to unbutton a few more buttons on my blouse. He’d offer to dance with me when no one else would, but he didn’t really want to, so he’d talk me out of it by the time we got the dance floor, distracting me with shots. He’d let me wear his scarf when it was cold. He rescued me from the women’s restroom when I had too much to drink and was puking my brains out. He held my hair back. Unfazed, he threw me over his shoulder and got me to a car like some knight in shining armor. I thought that’d be the end of it, especially since I vomited on his expensive shirt and shoes, but he met me out the next night. He paid for drinks and an entire dinner with like six of us. He was charming and magnificent and I had never been happier.

But we worked together. And we hung out with coworkers. Suddenly, everyone had an opinion about us spending so much time together. People were actually calling me to warn me to stay away. I was told he was a user and abuser, that once he got what he wanted from me, that would be it. I was told the name of every woman he’d been with, real or rumored. I was told he was just being friendly with me to get a more beautiful coworker – and truth be told, that one fucked me up more than anything else. I let that idea sink its fangs into my psyche and suck it dry of self-confidence. It made me suspicious of him and I misinterpreted so many conversations. I’m ashamed, looking back.

He read my favorite novel and could talk to me about it for hours. The connection with him was unlike anything I’d ever had before. He told me the truth about himself (as much as a man can) and invited me to do the same. I didn’t, because I was scared and stupid and listened to some bad advice from jealous women.

We had one perfect night. And I’ll happily relive it next week. Xoxo ❤   

On discovering The Worst Thing Who Ever Happened To Me.

My last blog post was all about finding my passion for writing again and making writing more of a priority. Consider this post me diving head first into being a writer.

It’s been said that all good writers write what they know. And during this period quarantine during this coronavirus pandemic, I’ve been bingewatching “Sex and the City” to pass the time. Right now, there’s something really appealing about the simplicity and style of it all. I’ve slowed down the bingeing though, and very recently, I’ve decided to try to only watch one episode a day, to make it last through this indefinite period of social distancing. The episode I watched the other day had my favorite scene of the series (so far, I should add; I have between ten and fifteen episodes left).

Carrie Bradshaw, elegant and graceful heroine, goes to San Francisco as part of her book tour. Her book, it should be mentioned, is a collection of articles from her newspaper column, and those articles are just anecdotes and observations from her dating life. A lot of the anecdotes and observations revolve around Mr. Big, charming and complex leading man who hurt her terribly time and time again, but Carrie just can’t help herself when it comes to Big.

Do you see why I felt compelled to watch?

Anyway, the San Francisco stop on her book tour is not AT ALL what Carrie hoped for and at probably her lowest moment (pimple on her cheek and no one interested in what she had to say through her writing), Big shows up. He was at her reading the whole time and stood to ask a question: if the Mr. Big character was based on a real person. How fucking suave; it reminds me of  particular moment with a particular man from my past (who irritatingly reappears in my present).

Later, they’re in Carrie’s hotel room and all she wants is sex, but all Big wants is to talk about what she wrote. He actually read her book cover to cover and realized how badly he’d hurt her.

So that’s my new fantasy: the man who ruined me for all other men to come reads my book and becomes determined to talk it out with me. And maybe it ends in sex, but whatever. I don’t think that’s the point – or the only point.

Does this mean I’m ready to write about him? Intentionally, I mean, because everything I write is really about him anyway. But even if I’m ready, does that mean I should? Would everybody know if I tried writing about him on this blog? And by “everybody,” I mean the seven fucking people who read it.

Shit – I think I’m actually getting excited about this. That has to be a good sign, right?

So stay tuned for my first installment next week: episode one of The Worst Thing Who Ever Happened to Me.