I have never ever been shy about my love for Stephen King. Today, on Hulu, the finale of the second season of the Stephen King-inspired show “Castle Rock” aired. I had two thoughts as the credits rolled:
- Damn, that was better than season one.
- I want to re-read Misery.
I really enjoyed the performances by Lizzy Caplan and Tim Robbins as two well-known Stephen King characters: Annie Wilkes and Pop Merrill, respectively. I listed Caplan first because she honestly steals the show. She’s riveting as Annie Wilkes and masterfully pays tribute to Kathy Bates’ Oscar-winning portrayal in the nearly perfect film while somehow making the character her own. It is truly a masterful performance. As a viewer, I hated Annie, pitied Annie, feared Annie, laughed at Annie, and just went along for the ride. From her awkward gait to her unsettling gaze, Caplan created an Annie Wilkes that is as heartbreaking as she is horrifying. One of the standout episodes in the season, although Caplan and Robbins do not feature, is the fifth episode, titled “The Laughing Place.” The episode is beautifully shot and delves fearlessly into the troubled past of Annie Wilkes. While some aspects of Annie’s character were expected, like her sociopathic and psychotic tendencies, others were new and interesting. I was particularly fascinated by Annie’s struggle with dyslexia and was enthralled with the depth it added not only to character but to the complexity and intensity of the events as they unfold in “Misery” (I’m specifically referring to the film as it has been quite some time since I read the novel, which was a knockout by the way. I might not remember specific plot points, but I remember loving the book). Annie’s “Castle Rock” arc ends where we first met her, worshipping Paul Sheldon and I have a strong desire to revisit the book.
Tim Robbins played Pop Merrill who was a complicated character to say the least. Robbins played it beautifully, expertly navigating the fine lines that kept Pop from being an all-out villain or an all-out redeemable, tragic hero. Robbins absolutely radiates in the second-to-last episode titled “Caveat Emptor” as Pop tries desperately to right the many wrongs he’s guilty of at staggering prices. Robbins is the perfect cranky, old bastard that deserves whatever he gets but that you hope gets better. I won’t spoil anything for anyone interested in watching, but will say that Pop Merrill’s storyline is one familiar to King’s Constant Readers and it does not disappoint.
The first season of “Castle Rock” was close to being great, but for me, the finale kept it short of the mark. It was all so ambiguous which would be fine if there was at least a little something for the viewer to stand on or hold onto. I understood the nod to “Thinnys” and immediately thought of The Dark Tower series, but something was missing. I was dissatisfied and ambivalent about even watching the second season.
But man, am I glad I did.